There needs to be a word for Missing someone you’ve just met All the past absences preceding their present presence That temporal ache of Never will have having had The sequoia-root connection From knowing them your entire life
Sometimes I wonder if love and sex and ineffable human connection are at their core, just Fine Like a B-tier Marvel movie Something pleasant and inoffensive enough to pass the time But blown out of proportion by centuries of bottomless marketing budget Books and movies and Broadway musicals and Taylor Swift songs Slow-motion women eating yogurt in commercials Shirtless men on paperback romance covers photographed from the mouth down Hallmark holiday movies and Pornhub All saying, “This thing, This exaggerated, perfect version of the thing That you only find in incomplete, temporary, compromised And ultimately somewhat unsatisfying forms Of course it exists And it will find you As long as you ignore all these versions of it that are only Fine
And while you wait, to help it find you, why not buy A Car That Will Advertise Your Sexual Prowess Cosmetics From Your Friend’s Multi-Level-Marketing Enterprise Premium Subscriptions To Every Dating App A Stranger Who Trims Your Toenails For You Another Car Because The First Car Didn’t Accomplish What It Was Supposed To Ripping Out All The Hair On Your Body With Hot Wax A Membership To A Gym Where Every Wall Is A Mirror Shiny Gems To Attract The Magpie Gaze Of The Opposite Sex Okay, You Know Where You Went Wrong With The Other Cars, So This Time For Sure A Neckline That Goes All The Way To Your Butt”
Maybe it’s okay for these things to be Marvel mediocre To leave you after an hour or two going “That was pretty fun, yeah? I liked that part at the end where they said the thing” And mostly forget the details by the next week Maybe you’ll end up with a big wedding crossover (“I was so surprised that they made an appearance”) Spin off a few kids (“Well, they can’t all be winners”) And inevitably come to an anticlimactic end Due to cancellation or contract renegotiations And maybe that’s okay Maybe that’s enough Maybe that’s Fine
It changes you Being food poisoned To trust something enough to let it in And feel it stabbing like a knife Twisted from within
The physical pain gets you first Doubled over on a couch While in the kitchen, unbiased third parties Go through the cupboards Taking what needs to go
Later it’s the emptiness that gets to you All the gaps left behind You don’t even know what used to fill some of them But you feel something missing all the same
There are old staples you thought would always be there That you find yourself replacing With the cheapest options Not getting attached Knowing they’ll be replaced again someday
You try to get back out there But find yourself focused only On expiration dates ‘Best by’ stickers And all the other red flags
You find yourself quick to distrust Ditching half a gallon of milk Before it has the chance to go sour on you Taking just one morning’s worth of eggs Before throwing the rest of the carton to the curb
Some you give up on entirely Seeing mold and parasites In every speck of discoloration Sure, that loaf of bread seems nice But you’ve been burned before
And you start to think As one by one you let every possibility drop From your weak and thinning hands That maybe you’d be better off without it This untrustworthy stuff That always hurts you in the end Maybe you don’t really need it at all Maybe you don’t need
The time portal is opening! The beautiful time portal is opening! Gateway to fantastic futures and marvelous memories The time portal is opening In my bedroom On a Friday evening What delights shall it bring?
And here they come The time travelers! The wondrous time travelers! There is a boy who looks Very much how I looked when I was twelve And an old man who looks Very much how I might look with a little more gray in my hair And a top hat And a monocle And a little robot squirrel There’s quite a lot going on with him, actually
And he’s saying “But if you remain on the path you’re on This is the future that awaits you” And the boy looks at me With deliberation Until they leave And the time portal The beautiful time portal Is closing.
With your left i You spy An imaginary world of lies While likewise Your right i can devise A world in equal shape comprised Of concepts that may try, But cannot, truth deny
Now if two i-lines Should intertwine These dueling visions do not make you blind Rather you find They are combined And come together in your mind To form a world of negative incline As so do mine
But if you take the world your i‘s have spun And do not run As we bring both our visions ’round ‘Til they compound It might be found That we have shared a bit of most uncommon ground That i times i times i times i, when all is said and done Could see this world as one
You are pretty, only pretty And I love you for it Not pretty and kind Or pretty and funny Or pretty and good at cards You are perfect In the only way that can be seen Without knowing you
Upon the screen of your perfect image I cast all other perfections Perfections of mind and heart and personality And see myself perfected by you And know that the only thing wrong with me Was not being with you Not some misalignment of my mechanisms That might require adjustment
You turn and smile at me And for a moment everything is as it should be For you are pretty, only pretty And I love you But then you approach And with dread I realize that soon I will know you Your perfections interrogated Your flaws, so uncomfortably like mine, revealed
And what then? When fantasies like scabs are peeled away? If you are pretty Only pretty Will I love you? I don’t know what I want And I only want What I don’t know
The laugh Through the door Of the doctor At the age And worn condition Of my orthopedic inserts Before returning Businesslike To inform me that Insurance Will not be approving New ones
Why do I come to this brook For memories of clear currents And smooth stones in my palm When all I ever find Is industrial brown And bits of broken glass
Three mouse clicks is all it took. Three mouse clicks and a moment of clarity. I have deleted my save file for Trimps, the idle game that I’ve been playing for the better part of four years.
I let out slow breaths through pursed lips, as if I’ve turned in two-weeks notice, broken out of a toxic relationship, or bought a house. As if I’ve made a significant change to my life.
* * *
Trimps begins with starvation.
A box informs you that you have 0 food and gives you one option: Gather. Selecting this button begins a slowly filling progress bar, 1 food every 1 second. A short time later, a second box presents you with a new option: chopping wood. After enough wood and food has been gathered, you can start building structures: a trap to catch the local wildlife, known as a Trimp, who you can train to farm for food or chop wood for you. You gather more trimps, and build them huts and then homes, and then you can mine metal and train them to mine metal and teach them science so they can research new developments like weapons and armor and then send them to battle where they unlock new tech to research and maps that increase your production and
And. And. And.
The game has regular paradigm shifts, moments where the exponential growth takes a sideways step into some new and unexplored direction, to the point where I’m sure I’ve forgotten about entire chunks of the gameplay. But at its heart, Trimps is a game where Number Go Up.
* * *
I created my own precursor to the clicker genre when I was seven. I found out that if I took a calculator and started out with ‘1’, and then hit ‘+1’, then every time I hit the equal sign, the number would keep getting bigger. I started mashing that button, thrilling as the number reached 10, 100, 1000. I wanted to get that calculator all the way to a million, however long that would take. I got to somewhere in the 20,000s before the batteries died. There was no way to save my ‘game’, and my parents did not consider this pastime to be a good use of my time or their calculator.
I’ve succumbed to the ministrations of Number Go Up games for longer than I like to think about. I can list off the most persistent of them like a chain of regretful lovers: Cookie Clicker, Wall Destroyer, Antimatter Dimensions, Universal Paperclips, Idle Dice, the really bad one about space mining, AdVenture Capitalist, Exponential Idle, Egg Inc., Idle Zen, Clicker Heroes, Idle Research, The Monolith–and I know there are many more of these games that I have very rightfully forgotten.
And behind most of these, Trimps has been slowly chugging along in the background. Most commercial clicker/idle games quickly reach a point where they stop being fun–the exponential growth stops feeling so exponential, the troughs between new gameplay shifts grow tedious, the dripfeed of dopamine stutters to a halt. This isn’t a result of poor development–the boredom valley is present by design, there to coax you into the game’s revenue stream: increasing your production for a while by watching an ad for an even worse game, or spend microtransactions on boosts and bonuses that will make the game feel exciting again…until it slows down once more a few hours later.
The profit line was always how I managed to break up with an idle game–despite spending several hours on any of these games, my brain drew the line at pumping cold hard cash into the increase of meaningless digital figures. When the Fun Train slowed to a crawl and the conductor came back to check tickets, that was my cue to jump off.
To its credit, Trimps (and a few others from that list) never pulled these kinds of tricks. It wasn’t a commercial product, it was just a free online game some guy made and steadily updated over the last eight years. If you reached a point where progress slowed down, there were no ads to watch or money to pay–it just meant you had caught up to the latest stage of development. The next update would bring some new element to keep the gameplay fresh again.
And so Trimps became a small part of my daily routine, a little mathematical morning ritual to engage in. Sometimes, in the early game, I would spend most of a day on some progress point that required more active playing, but mostly, it became a thing I checked in the morning along with social media. Run maps, start a new run, spend resources, see you tomorrow.
I don’t think it’s a coincidence that my longest running idle game took hold around the start of the pandemic. As counts of infections and deaths spiked, I could check in on Trimps and know that these numbers were the ones under my control. These were the numbers that were supposed to go up. No matter what happened outside, in the world of Trimps, things were always getting better.
It’s been three and a half years of exponential progress, and things in Trimps don’t feel better. They just feel bigger. And though the numbers continue to increase, they don’t increase in interesting or exciting ways any more. There are no more big changes to push for, no more milestones to reach, just a daily check-in and rote management of my boundless numerical wealth.
So I deleted it. Three years erased in three mouse clicks. There is neither regret nor euphoria at this change in state. It’s just a thing that happened.
* * *
It’s the following morning. My hands don’t remember what I did last night, and by familiar habit they pull up Trimps. ‘T’ is all they have to type–my browser already knows my most visited site starting with this letter. Where my Scrooge McDuck vault once lay, filled with quadrillions and nonillions and every other number with too many zeroes–there is now only one zero.
Food: 0 / 500
My stomach growls in sympathetic response, and I wonder what I will do now with this little hole in my life, these two of three minutes every morning that used to be filled with busywork. But the answer soon comes to me: